The custom typeface, UNKNOWN, was used across multiple editorial spreads in the Dazed magazine issue 274.
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365 Days of TAU is featured in the latest issue of Slanted, showcasing outstanding projects at the intersection of typography and fashion.
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Part of the exhibition New Aesthetic in Paris.
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“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
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The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
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“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
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“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
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The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
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“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
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Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
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“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
![]()
The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
![]()
“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
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“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
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The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
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365 Days of TAU is featured in the latest issue of Slanted, showcasing outstanding projects at the intersection of typography and fashion.
Part of the exhibition New Aesthetic in Paris.
“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
Miyavi
A visual narrative of love and pain, amplifying the emotional duality in Miyavi’s album releases.
Project Information
Miyavi released his second album of 2024, Found in Pain, following his first album, Lost in Love. At Studio Herrström, we collaborated with Miyavi and his team, as well as Director and Photographer Darren Craig, to define the look and feel for both albums, which were released as physical CDs in Japan and promoted through live concerts. Miyavi’s two-part album, Lost in Love, Found in Pain, explores the contrasting emotions of love and struggle. The albums delve into duality, with Lost in Love capturing emotional vulnerability and connection, while Found in Pain explores themes of hardship and resilience. Throughout the creative process, visually representing this duality was a key focus. We used sharp, striking imagery and type lockups crafted from the Vengeance Serif typeface by Alli Cunanan, helping to bring to life the contrasting emotions Miyavi expressed through his music.
Credits
Made in collaboration with Studio Herrström.
Photography / Direction by Darren Craig.
Miyavi released his second album of 2024, Found in Pain, following his first album, Lost in Love. At Studio Herrström, we collaborated with Miyavi and his team, as well as Director and Photographer Darren Craig, to define the look and feel for both albums, which were released as physical CDs in Japan and promoted through live concerts. Miyavi’s two-part album, Lost in Love, Found in Pain, explores the contrasting emotions of love and struggle. The albums delve into duality, with Lost in Love capturing emotional vulnerability and connection, while Found in Pain explores themes of hardship and resilience. Throughout the creative process, visually representing this duality was a key focus. We used sharp, striking imagery and type lockups crafted from the Vengeance Serif typeface by Alli Cunanan, helping to bring to life the contrasting emotions Miyavi expressed through his music.
Credits
Made in collaboration with Studio Herrström.
Photography / Direction by Darren Craig.