The custom typeface, UNKNOWN, was used across multiple editorial spreads in the Dazed magazine issue 274.
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Part of the exhibition New Aesthetic in Paris.
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“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
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The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
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“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
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“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
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The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
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“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
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Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
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“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
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The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
![]()
“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
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“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
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The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
![]()
Part of the exhibition New Aesthetic in Paris.
“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
Adana Twins Tour
Giving tour promotion a whole new spin with 3D face scan technology.
Project Information
Teaming up with the Adana Twins, Lukas Haider gave tour promotions a whole new spin. Instead of sticking to repetitive photography, 3D face scans of the artists were used as the main element. This switch-up made the visuals more diverse and prevented them from looking the same all the time. This approach, combined with duotone color schemes, experimental typography, and motion, injected new energy into every tour’s vibe. It opened up tons of exciting possibilities and made the campaign really stand out, whether you saw it online, in print, or on stage.
Teaming up with the Adana Twins, Lukas Haider gave tour promotions a whole new spin. Instead of sticking to repetitive photography, 3D face scans of the artists were used as the main element. This switch-up made the visuals more diverse and prevented them from looking the same all the time. This approach, combined with duotone color schemes, experimental typography, and motion, injected new energy into every tour’s vibe. It opened up tons of exciting possibilities and made the campaign really stand out, whether you saw it online, in print, or on stage.