The custom typeface, UNKNOWN, was used across multiple editorial spreads in the Dazed magazine issue 274.
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365 Days of TAU is featured in the latest issue of Slanted, showcasing outstanding projects at the intersection of typography and fashion.
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Part of the exhibition New Aesthetic in Paris.
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“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
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The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
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“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
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“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
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The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
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“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
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Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
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“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
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The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
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“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
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“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
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The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
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365 Days of TAU is featured in the latest issue of Slanted, showcasing outstanding projects at the intersection of typography and fashion.
Part of the exhibition New Aesthetic in Paris.
“3D scans and surrealistic sceneries converted into limited trading cards.” Read more about the Spektrum 4 project for TAU on Slanted.
The branding for BAN BAB won Bronze twice at the CCA Venus Awards in the categories of Corporate Branding and Art Direction.
“Working for the music industry gives artistic freedom and space for unconventional design solutions across different fields of media.” Read more in the interview with People of Print.
“Unknown is a typeface that reminds us to revisit our old notebooks.” Read more about it on It’s Nice That.
The project Spektrum 4 for TAU won Bronze at the CCA Venus Awards in the category of Art Direction.
“Spektrum - a record label pulls out all the stops.” Read more about it on Grafikmagazin.
Lukas Haider is a jury member of The CCA Venus Awards, Austria’s most prestigious creative award. It annually recognizes the best ideas in the communications industry for the Austrian marketplace and spotlights both their creators and clients.
“Branding is like a song that resonates deeply.” Discussing music and design with Erik Herrström and Lukas Haider on The Brand Identity.
The custom typeface Unknown was featured in the printed publication New Aesthetic, which collects the best of experimental and independent type design.
“Today we’re showcasing a hypnotic design that brings whimsical vibes to the site. “ Read more about TAU Spektrum 3 on Mindsparkle Mag.
“Oh Vienna! Not just the birthplace of action art, but also the home of Lukas Haider, whose beautiful poster designs had us browsing round his superbly designed site for many glorious moments.” Read more about the poster series done for the Adana Twins on It’s Nice That.
The creation process of Unknown was captured in this interview with Collide24, a platform highlighting the power of collaboration.
Project Information
Introducing the branding for BAN BAB - a fresh and innovative destination for kebab enthusiasts in the heart of Hamburg. The story behind this place: it was founded by a Turkish and Vietnamese duo with the aim of combining the best of both worlds. Taking inspiration from this, the name is a wordplay on the Turkish “Kebab” and the Vietnamese word “Banh Mi”, resulting in BAN BAB. Another similarity found between these two nations is the symbols, such as stars and moons, in their country flags. These were playfully rearranged to form a star face with moon eyes as the main logo of the kebab club, expressing the welcoming joy of the restaurant. This little mascot, in combination with bold typography, clear messaging, and the single bright color red, with a little eye-twinkling homage to the classic kebab knife guy, forms a recognizable visual language. This branding extends to the space, merchandise, packaging, and posters, and is spread out on social media for maximum brand recognition.
Credits
Photography by Mario Ilic.
Introducing the branding for BAN BAB - a fresh and innovative destination for kebab enthusiasts in the heart of Hamburg. The story behind this place: it was founded by a Turkish and Vietnamese duo with the aim of combining the best of both worlds. Taking inspiration from this, the name is a wordplay on the Turkish “Kebab” and the Vietnamese word “Banh Mi”, resulting in BAN BAB. Another similarity found between these two nations is the symbols, such as stars and moons, in their country flags. These were playfully rearranged to form a star face with moon eyes as the main logo of the kebab club, expressing the welcoming joy of the restaurant. This little mascot, in combination with bold typography, clear messaging, and the single bright color red, with a little eye-twinkling homage to the classic kebab knife guy, forms a recognizable visual language. This branding extends to the space, merchandise, packaging, and posters, and is spread out on social media for maximum brand recognition.
Credits
Photography by Mario Ilic.